Today, in the light of linguistic studies, it has been determined: "which is the axis of all evolutions of poetry, language and the relationships of language components" (Shafi'i Kodkani, 2009: 27). Language can be considered a mental system and mind and language are closely related to each other. Shafi'i considers "language and thought to be two sides of the same coin". (Ibid.: 27) One of the levels of stylistics is the language level, which is divided into PHONETIC, lexical and syntactic levels. At the PHONETIC level, the text of a work is examined in terms of musical elements, external music, side music, spiritual music, as well as general issues related to pronunciation. In this research, from the linguistic level only the PHONETIC level of the two Bahmannameh and Faramaraznameh systems has been taken into consideration in order to know the characteristics of the epic language and determine what the PHONETIC and musical STRUCTURE is like in them. Which of these two have been more successful in using PHONETIC processes compared to each other?

Layered stylistics is identified as of one of the modern approaches in literary criticism analyzing the literal texts based on the five linguistic layers. The present article is based on analytical-descriptive method in order to identify and compare the PHONETIC layer of the language in the poems of Seyyed Hasan Hoseini. This research has also illustrated PHONETIC components in the poems including external and internal sides, as well as the semantic music. The findings of this study suggest that PHONETIC features of the poems have been realized far beyond pleasure and coloring in the function of their external music. In fact, the poets concern with the social realism is discovered by analyzing the PHONETIC STRUCTURE in the form of external music. Using PHONETIC STRUCTURE and mixing its various features, Hoseini has set to critique his society. The semantic music has helped the poet to create accurate images. As a result, this layer of stylistics has provided the audience with moving, poetic images.

In seeking new horizons, modem Arabic poetry is trying to discover new musical forms for expressing modem and contemporary meaning. PHONETIC music of words and letters versus the music of the lines, the music of thought Versus the prosodic music, and the1nternal expressive music versus the external compound music, are among the newest musical forms of modern Arabic poetry. The most importanf feature of these new musical forms is that, word is considered as the “musical unit”of the poetry.

Structuralists believe that The basis of poem is STRUCTURE and STRUCTURE Considered to be a set of interrelated elements Constituting a total. One of the major STRUCTUREs of literary language Has long been And prosperity in the new literary criticism in the literature about the West has been considered, is PHONETIC STRUCTURE. In other words, The new structural studies, SuperSTRUCTURE is of more importance. In this study to investigate the superSTRUCTURE (PHONETIC STRUCTURE) and the exact classification of all methods of forming the STRUCTURE of the poem deals with Mohammad Reza Shafiee Kadkani and Mentioned to Literary industry that have a role in shaping the PHONETIC STRUCTURE. shafiee is one of contemporary poets that has Classical and nimaee form of poems. the colection Hezare dovom ahooye koohi is indicated that he use the Multiple language capabilities could be strengthened The musical aspect of poetry. The PHONETIC construction of three levels: PHONETIC balance, Lexical balance and syntax balance is very interesting in Shafiee poetry. application in various industries such as types of repeat procedures, Rhyme, Pun and using the elements of music (Outer, inner, aside ...) has added a beautiful of PHONETIC STRUCTURE shafiee kadkani’s poem. He looks at the special features of different components forming the word –Phoneme to sentence- has outstanding aesthetic and artistic beauty of the poetry.

Nowadays, the fundamental role of having a purpose for life in physical and mental health has been confirmed. According to victor frankl, presence of a purpose in life gives life a meaning and increases resilience against pains and traumas. The importance of the purpose in life construct reveals the need for a reliable and valid tool to measure it. Crumbaugh and Maholick's purpose in life questionnaire is the first and one of the most applied tools for the assessment of life's purposefulness. The aim of this research is to determine the factor STRUCTURE of purpose in life questionnaire. The questionnaire was administered on 206 students who were selected through random stratified sampling at Ferdowsi University of Mashhad. Exploratory factor analysis showed that there are two factors "comprehension" and "purpose" and this finding were confirmed by confirmatory factor analysis. Altogether results of this research showed factor validity of the purpose in life questionnaire with a two factor pattern

According to Russian formalists and French structuralists, the basic element in each poem is its STRUCTURE. Thus, structuralists’ reviews mostly focus on the surface STRUCTURE of the poem to investigate its linguistic dimensions and discover its structural innovations. Accordingly, literary forms are based on language forms that pave the way for literary analysis. In this regard, the language of poetry is one of the components in the symbiosis of linguistics and literature. The analysis of PHONETIC STRUCTURE, which includes rhetorical embellishments or aesthetic elements of the text, is an assured path in investigating such symbiosis. In such analysis, literary creation is studied on the basis of a hierarchy which consists of three levels: PHONETIC, lexical, and syntactic. Ahmad Azizi is one of the contemporary poets of Islamic Revolution whose poetry represents the selection and combination of various linguistic features in the speech chain. Such selections and combinations create a special kind of music in the PHONETIC STRUCTURE of poem which is the consequence of words and the arrangement of syntactic STRUCTURE of sentences. This study gives an aesthetic analysis of the PHONETIC STRUCTURE of Ahmad Azizi’s book entitled "Revelation Shoes" and examines some of its features.

Onomatopoeias in both Persian and Kurdish, despite having common features, are fundamentally different in terms of classification and PHONETIC STRUCTURE. These kinds of words in Persian are considered as nouns; while in Kurdish, because in addition to nominal onomatopoeias, there are also verbal onomatopoeias, such words are practically divided into two categories: noun and verb. In terms of PHONETIC STRUCTURE, onomatopoeias, as a special lexical family, in each of these two languages often have specific patterns that do not exist in other words. The pattern of syllable sequences and Phoneme combinations in onomatopoeias differs from non- onomatopoeias words and the combination of consonants in this type of word do not face the limitations that exist in other words. Patterns of PHONETIC STRUCTURE of onomatopoeias in Persian language are often based on the process of repetition, whether repetition in syllable or repetition in phoneme; for this reason, music and rhythm harmony are a prominent feature in the STRUCTURE of the onomatopoeias of this language. In contrast, in Kurdish onomatopoeias, there is no repetition in phonemes and syllables, and the PHONETIC STRUCTURE of these words is not based on a specific process and only in the case of the infinitive, they all end in the vowel "e".

PHONETIC analysis is one of the most important aspects of contemporary linguistics research and stylistic levels. This is because the sound is one of the most striking phenomenon that deeply affects poetry and plays an important role in determining the pattern of words and their implications. This way, the sound, by creating a sort of music and rhyme, distinguishes one poem from other poems. This research aims at identifying the PHONETIC STRUCTURE of the ode "hunā bāqūn". This is a famous ode written by the contemporary Palestinian poet Tufīq Zayyā and is about Palestinian resistance for achieving freedom. This research, with a descriptive-analytic method, aims at identifying the PHONETIC STRUCTURE of this ode. It also aims at identifying the role of sounds used by the poet to express his feelings. In this regard, sound such as voiced sounds, plosives and fricatives as well as the relationship between a sound and its meaning in this ode were investigated. The results showed that plosive and voiced sounds were employed more than fricative and voiceless sounds in order to create a revolutionary mood in the audience's mind. The repetitive use of some sounds have implications. For example, the use of /r/, /sh/, and /a/ sounds was to imply a persistent progress for battling, conveying the mood of resistance, and expressing alacrity and inner feelings, respectively. The repetitive use of sounds also adds to the rhythmic quality of the ode.

The pronunciation mechanism in the human vocal system enables the production of linguistic sounds of various types, and at levels of performance characterized by accuracy of language in transmitting the code sent from the brain to perform the sounds with specific waves understood by the members of speech community, and based on this the human pronunciation device is capable of producing linguistic voices of different types in all the languages of the world, and the lengths in vowels and consonant sounds commensurate with the nature of the production of language in each speech community. The difficulty in producing language voices in a language is by speakers of other language, that is how to train speech organs to produce the voices of language B just like the manner in which native speakers pronounce sounds. The languages of the world differ in the distribution of the phones and tend to use the easier in the areas of the center and the introduction of the mouth, unlike the Arabic language, which is witnessing the distribution of the output of the use of all areas of the pronunciation machine in the alphabetical voice. This research highlights the problems of the performance of sounds In the Arabic language of non-native speakers, despite the availability of the appropriate environment for language training on the production of the sounds of the Arabic language through the spread and transmission of the production of the Koranic text in some Aryan languages, and we chose the Persian language as model in the analysis of acoustic voices problem Producing a number of solutions that contribute to the education and control of the voices of the Arabic language in the production.

The term stylistics is a science that seeks to discover the aesthetical values ​​of literary works which leads to lexical, technical and rhetorical analysis of the literary text. This field tries to study and analyze the text in terms of STRUCTURE, depth and aesthetics, regardless of the history, society and life of the creator, which are matters outside the text. In this article, relying on the descriptive-analytical method of Surah Malik in PHONETIC, lexical, semantic and rhetorical levels, aspects of artistic codes and understanding of literary and artistic aspects of different linguistic levels have been analyzed. Irony and metaphor have been used as rhetorical elements to better explain and describe events and meanings and to arouse people's inner emotions and interactions. The use of these two components in the text of the verses of this surah has established the meaning in the mind of the audience and has increased the level of awareness of God's power and brevity in words and content expression.